Tag Archives: line

Flock of Snow Geese, Winter Sky

Flock of Snow Geese, Winter Sky
Flock of Snow Geese, Winter Sky

Flock of Snow Geese, Winter Sky. Merced National Wildlife Reserve, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A flock of snow geese against the partly cloudy winter sky above the Merced National Wildlife Reserve, California.

Yes, yet another in the series of photographs of migratory birds above the Merced National Wildlife Reserve made on a winter evening in February. While I missed the “fly in” (though saw it happening a ways north of my position) I did watch hundreds and hundreds of birds of all types pass overhead. Every time I would start to wonder “where are the birds?” or worry about whether I would miss the fly in, another flock would appear and traverse the sky above me.

It was my good fortune – certainly little careful planning was involved! – to be out here during a brief evening window of interesting light and sky as a storm cleared. In fact, as I drove towards the Refuge I at first thought that some of the larger clouds to the west might block the evening light or even bring a bit of rain. However, as sunset approached the clouds continued to thin and I ended up with a beautiful sky full of broken clouds that were gently illuminated as the day ended.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bird, Flooded Fields

Bird, Flooded Fields
Bird, Flooded Fields

Bird, Flooded Fields. Central Valley, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

A bird wades in a flooded Central Valley winter field in front of a receding line of power poles and some farm buildings on a levee.

This is (yet another!) photograph of the flooded fields along a country road near the Cosumnes River in California’s Central Valley. I was shooting almost directly into the sun through remaining fog and haze near the middle of a winter day. The building sits on a levee between the fields and the bird was kind enough to pose for me while I made the photograph.

Given one of the subjects subject that I’ve been discussing at the blog during the past few days, it seems reasonable to point out that this image involved significant work during the post-processing phase – what we used to refer to as “the darkroom,” but which we now refer to as “photoshop.” I used a variety of techniques to push this image towards what I had in mind – a very high key interpretation that I hope evokes the sensation of looking into a backlit hazy atmosphere that is so bright that you can barely look at it. (In fact, it was very much like this when I made the photograph – as you can see it required a 1/1000 second exposure at f/8 and ISO 100. That’s bright!) In general I brought the overall brightness up to nearly pure white in the lightest portions of the image, and I employed some other techniques to lower the amount of contrast in the sky yet keep the building, the poles, and the levee fairly dark. Although all of this was accomplished in the “digital darkroom,” all of the processes are equivalent to those that might have been applied by photographers working in the traditional darkroom.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pelican in Flight

Pelican in Flight
Pelican in Flight

Pelican in Flight. California coastline. May, 15, 2010.© Copyright G Dan Mitchell – all rights reserved.

A solo pelican in flight about the Pacific Ocean coast of California.

Last May I made one of my spontaneous drives over to the Pacific coast – a 30-45 minute drive from my location in Silicon Valley – and ended up engaging in my idea of sport, “hunting” pelicans with my camera and a long lens. I know a few places where the “pelican highway” passes along a high coastal bluff where I presume that the birds can coast on updrafts caused by onshore winds rising from the water. In one or two spots I can consistently find the birds passing very close to the edge of the bluffs, and it is often just a matter of waiting a while to see them fly past at very close distances. This bird came by a bit lower than some and instead of presenting itself against the more typical backdrop of the horizon and sky, this one gave me an overhead view with the surface of the Pacific as the background.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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