Tag Archives: shoreline

Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake
Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.

The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.

On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.

In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.

G Dan Mitchell Photography
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Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline
Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline. Pacific Coast Highway, California. May 13, 2011. © Copyright G Dan Mitchell – all rights reserved.

Sea stacks line the rugged California Big Sur coastline below the Pacific Coast Highway.

I had some free time on Friday morning, so I decided to head over to the coast below Monterey. I had some discussions with someone earlier this week about photographs featuring coastal fog and hills, and I think that may be what planted the idea in my mind, though it turned out that conditions were not quite ideal for that particular sort of thing. However, it was a beautiful spring morning along the Big Sur coast, with the bright sun somewhat modulated by some atmospheric haze and a bit of fog here and there along ridge tops.

For those who may not have heard, driving this section of the Coast Highway is a bit tricky right now due to washouts and closures. I had to wait for a pilot vehicle to lead scores of us through one large section, and in another spot the road was reduced to a single lane by a large landslide. I understand that further south the road is actually closed completely, necessitating an inland detour.

The unusual traffic situation did create one advantage for me, however. Usually there is enough traffic on this famous route that driving along at very slow speeds annoys other drivers – so I sometimes have to keep going right past places I might otherwise want to stop and investigate. However, yesterday I quickly figured out that with 20-30 minutes between waves of traffic as the road opened and closed, all I had to do was pull over after passing one of the blockages, wait for the other cars to pass, and then drive in a more leisurely way with plenty of opportunities to stop.

So as I drove past this area that I had not really looked at closely in the past – it is between a couple of other spots that I know well – I was able to drive slowly, pull over to look more carefully, backtrack, and generally get to see it more than in the past. I first pulled off near this spot simply to turn around to go back and check a spot I had just passed. As I did so I noticed a painter packing up his gear. I did my “turn around,” looked at the spot I had passed, decided it wasn’t promising after all… and came right back to the spot where I had seen the painter. A short trail led down to the edge of the bluff and provided this view along the coast to the south.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Stack of Pelicans

Stack of Pelicans
Stack of Pelicans

Stack of Pelicans. Pacific Ocean Coast, California. May 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

A vertical column of pelicans stacked one above the other along the Pacific Ocean coastline of California.

On a slow night this week – while waiting for a new hard drive to get backed up – I want back through some more raw files from the first half of 2010. Almost invariably, when I go back through older collections of images I find at least a few things that seem interesting to me know even though they didn’t really register at the time I shot them

I have previously shared some other photographs of these magnificent Pacific Coast birds that I made on this mid-May evening along the Pacific Coast Highway north of Santa Cruz, shooting from a bluff locations that I often return to. At this particular spot, when the conditions are just right, birds coming north up the coast and coasting on updrafts along the cliffs often climb toward the top of the bluff and frequently turn inland a bit right here as they come around an outcropping. That is what happened with these pelicans, who were coming almost towards me and were flying below my position on top of the bluff, creating what looks like a vertical stack of birds. How thoughtful of them to line up so that they fit perfectly within a 3:2 ratio portrait orientation frame! :-)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Golden Gate and Bay Bridges, Morning Haze

Golden Gate and Bay Bridges, Morning Haze
Golden Gate and Bay Bridges, Morning Haze

Golden Gate and Bay Bridges, Morning Haze. San Francisco Bay, California. February 5, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of Golden Gate Bridge north tower, the San Francisco-Oakland Bay Bridge, and the East Bay Hills in morning haze.

I sometimes enjoy playing the juxtaposition game, going up into the Marin Headlands and using a long lens to juxtapose elements of the Golden Gate Bridge with other elements of the landscape, human and natural, of San Francisco Bay. One of the most iconic examples of such photographs is the one that many have shot (including me!) that centers the tip of the Transamerica building within a frame formed by the north tower of the bridge. But there are many other possibilities that might be at least as interesting, and which may depend more on the changing and often very interesting conditions of atmosphere and light over the bay.

This photograph was made from a point very close to that from which the Transamerica building photograph can be made, but a bit higher on the road up into the headlands. When I arrived just before dawn in the general area there were quite a few other photographers who I presume were there to photograph the dawn scene. (This is a difficult task, as it requires you to shoot essentially directly into the sun if you want San Francisco in your shot.) I was surprised when essentially all of the other photographers packed up and left a few minutes after the sun came up! (In their defense, it was windy up there – so windy that it made shooting with a long lens quite a challenge!) The sunrise wasn’t all that amazing, at least not if you know this area pretty well. But the low haze/fog over the east bay hills and some overhead clouds filtering the light a bit created the potential for some interesting and moody light – at least if I used a long lens to isolate small sections of the scene.

I’m almost a bit embarrassed to admit that I picked my first shooting location not based on the scene but rather on trying to avoid the wind! I went up the road to a spot where I could shoot in the lee of a hill side. After getting that out of my system, I went the other way and entered a very windy area along the road below the parking lot. I eventually found a spot that lined up the two great bridges of San Francisco Bay – the north tower of the Golden Gate Bridge in the foreground and two towers and a central span of the San Francisco-Oakland Bay Bridge in the distance, both backed by that low fog and haze and beyond the East Bay Hills.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.