Tag Archives: sky

Flooded Farmland, Winter

Flooded Farmland, Winter
Flooded Farmland, Winter

Flooded Farmland, Winter. Central Valley, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

Sky is reflected in the water of flooded winter farmland, Central Valley, California.

A few days ago I didn’t know that this spot existed. However, I happened to run into a colleague while getting a cup of coffee last week, and as we talked she mentioned that she had just visited the Cosumnes River Wildlife Preserve. We talked more, it sounded interesting, and she sent me some information about how to find the place, along with the description of how to get to the place where I made this photograph.

I started at this location very early in the morning, but it was so foggy that photography was almost impossible – at least the kind of photography that I had in mind. Although I was able to hear the birds that congregate out here, I was barely able to see them at all. So after driving to the end of this road where it runs into the Cosumnes River, I turned around and headed up the Central Valley a few more miles to find the Consumnes River Wildlife Preserve.

A few hours later the sun was beginning to shine through the fog at the Preserve and I felt that my work there was done. I checked the time, at it seemed like I might have just enough time to detour back out on this road and see if the prospects were any better now that the fog was thinning. Again I drove to the end of the road, but along the way I noticed these flooded fields and made a mental note to take a look at them on my return drive. So, on the way back I pulled over and noticed that the faint high clouds were reflecting in the surface of the shallow water, and shortly after I framed my photograph a couple of birds flew across the scene.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Avalanche, Half Dome

Sunset Avalanche, Half Dome
Sunset Avalanche, Half Dome

Sunset Avalanche, Half Dome. Yosemite National Park, California. January 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

An avalanche breaks loose from the edge of Half Dome as sunset light falls over Yosemite Valley.

Sometimes timing is everything. But, to be honest, luck often plays a bigger part! :-)

On my way out of The Valley on a mid-January weekend, I made this spot my last stop, thinking that I wanted a photograph from this angle at sunset with snow on Half Dome. (I have a number of photographs of this location, but mostly from the warmer months of the year. ) I know this spot well enough at this point that I know pretty much exactly where to be and when to be there, and this was no exception. On the way up here I first stopped to photograph some trees on a ridge across the Valley, something I worked on more than once during this trip. When the last light left those trees I headed on up the road to this overlook and arrived perhaps a full half hour before the start of the real light show. I hung out a bit, ate a snack, and eventually set up.

I never know exactly what will happen here, believe it or not, even though I understand the process pretty well. The foreground right ridge first falls into shadow, then the shadow line begins to creep up toward the face of Half Dome and rise up the rocky slope in front of El Capitan at the left. But what the sky will do during this transition is quite variable. Sometimes the sunset simply dies out with a whimper. On other evenings the light goes through a remarkable sequence of transitions. That is what finally happened on this evening. Eventually I’ll share some of the other photographs from this evening, but for now I’ll just share a hint or two. The color of the sky behind Half Dome transitioned from blue to pink and purple and finally to a deep blue that verged on purple.

But the real surprise – and one I did not realize I had captured it until I got home and looked closely at my raw files – was that one of the images contained a sort of “Yosemite Fall” that I had never seen before, namely the “snow fall” created as a large piece of the snow field near the edge of Half Dome let loose after a day of warm sun and cascaded down the right face of the mountain… just as sunset light split the dome! I suppose this provides yet another opportunity to quote Ansel, who apparently once said, “Sometimes I do get to places just when God’s ready to have somebody click the shutter.”

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos
Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Winter light on the Monterey Pine forest growing on a hillside at Point Lobos State Reserve.

The photograph is the color version of the same scene that I recently posted in a black and white rendition. My initial reaction to the image, and the idea I had in the back of my mind when I photographed it, was that it would be black and white. I wanted to “abstract” the dense shapes and textures of the trees and ground plants and rocks, and I sometimes think that the intrinsically unreal quality of black and white can work for that. However, when I worked up the photograph in color I started to like it, too, though in a different way. At least in the small versions that I looked at on the screen, the color version creates a bit more separation among objects in the scene and seems to have a bit more depth. I guess I won’t know until I make prints!

I have often looked at the straight and upright trees on this rocky prominence as I walked past on a trail that passes by just beyond the left side of the frame. This formation sits between two coves at Point Lobos and rises to a high point (to the right of the photograph) before dropping abruptly to steep rocks and then the sea. From the trail you look up the slope toward the high point and through these trees. But I could never quite see a composition. On this winter day the light was a bit unusual. There was a bit of haze and mist in the air, though not a lot – if I stood with the sun at my back I could not really see it, but if I faced into the sun it was apparent. In any case, even though this was photographed during the harsh light midday time period, the light was softened at least a bit, but still a bit stark from side lighting, the shadows among the trees, and the bright and cloudy sky beyond. It is difficult to find a clear line of sight to this grove that isn’t either very, very far away or else right inside of it. I looked around for a bit and finally found a place not far away along the trail from which I could shoot between tree branches.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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