Tag Archives: snag

Monterey Pines, Fog

Monterey Pines, Fog
Monterey Pines, Fog

Monterey Pines, Fog. Point Lobos State Reserve, California. July 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Monterey Pines growing along cliff tops on the north shore of Point Lobos State Reserve with Carmel coastline visible in the distance.

These beautiful and tough Monterey Cypress trees grow at the edges of cliffs above the Pacific Ocean along the north shore of Point Lobos, and on this foggy morning the outline of the Carmel shoreline was just barely visible beyond them. The light was difficult, but I think it ended up helping produce a very moody image that, for me, evokes that feeling of walking though this area on such a morning.

I’m one of those strange people who is usually a bit disappointed when the weather here is clear! In fact, I’ll change my mind and decide not to go photograph at Point Lobos if I hear it is going to be a beautiful blue sky day. My ideal is a day with fog or clouds or rain, and especially so if there is a chance that a bit of light might try to break through clearing (or arriving) clouds.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest, Upper Yosemite Valley

Forest, Upper Yosemite Valley
Forest, Upper Yosemite Valley

Forest, Upper Yosemite Valley. Yosemite National Park, California. October 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Trees recede into the distance in a quiet forest in the upper section of Yosemite Valley.

Late in the afternoon, after the light rain had mostly ended, I stopped to try to photograph some dogwood trees that were getting their fall colors. I started by looking at some trees very close to the road, but then saw more interesting trees a bit further into the grove so I wandered a bit farther from the road. Soon I saw a couple of trails leading into more open areas near the river, so I kept walking. This led to a trail that headed up the Valley – I followed it and soon crossed the Merced River. Continuing on (and now well beyond the grove that I originally stopped to photograph!) I crossed again on a second bridge and soon noticed an interesting section of more open forest off to one side. As I wandered down into this area I saw that there were quite a few rocks along the otherwise level forest floor here, and after making a couple of initial shots I also saw that nearby the level forest floor began to give way to more hilly and rounded terrain with occasional boulders and small rocky hills. I left the trail and began to walk about slowly, just watching for interesting arrangements of trees, colorful leaves, and places where the light glowed through the forest canopy.

When I stopped to make this photograph (and several other exposures in the same spot) I was attracted by the relatively open forest through which I could see the vertical forms of the trees receding, and by the interesting arrangement of the foreground trees. The soft forest light on this cloudy afternoon also gave the leaves and needles a luminous quality.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Upper Young Lake, Peninsula with Trees

Upper Young Lake, Peninsula with Trees
Upper Young Lake, Peninsula with Trees

Upper Young Lake, Peninsula with Trees. Yosemite National Park, California. September 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

Sunset light illuminates trees on a rocky peninsula, reflected in the surface of alpine Upper Young Lake, Yosemite National Park, California.

This is one more and perhaps the last in the sequence of photographs made on a mid-September evening at Upper Young Lake. I mentioned in a previous post that I had walked up here from my campsite to photograph in the beautiful evening light, and after wandering about and making a few other photographs I finally decided to focus my efforts on this scene featuring tree-covered rocks at the end of a small, curving peninsula. I began shooting just as the “golden hour” time began, and continued until the light was quite dim… and I had to start heading back down what passes for a trail to my camp at a lower lake. This photograph was made at a point at which the light had really begun to warm up as the sun dropped toward the horizon, but before the very last (and very red) light.

A comment on why I have posted several photographs (four by now?) of more or less this same scene rather than selecting “the best” one… I’ve previously written about my reasons for posting daily photographs at the blog, which include practice and encouraging me to regularly take photographs all the way through at least an initial post-processing workflow. The latter gives me a better opportunity to get to know the different images, both as I work on them and I I consider them after posting. So, frankly, I don’t necessarily have a clear favorite at this point.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Meadow, Oak Forest, and Cliffs – Autumn, Yosemite Valley

Meadow, Oak Forest, and Cliffs - Autumn, Yosemite Valley

Meadow, Oak Forest, and Cliffs – Autumn, Yosemite Valley. Yosemite National Park, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Autumn color on meadow, forest, and cliffs at Yosemite Valley, California.

If it isn’t clear by now… I really like photographing the “treescape” of Yosemite Valley – at any time of the year but especially in the fall.

This was a technically challenging photograph to produce. Several things attracted me to the scene including the color of the shaded oak in the right foreground, the subtle light on the tree trunks coming from the reflection from a cliff that is far out of the frame to the left, the very yellow tree just left of the center of the frame, and the sunlit slopes of the Valley walls beyond, carpeted with trees. In addition to finding the right spot to “see” all of this, the exposure issues were challenging.

Dynamic range was obviously one issue. The foreground oak and certain other elements are in relatively dark shade, yet these areas include important details. At the same time, the far cliff is in full sun and – to add to the fun – includes some very reflective sections of rock that are extremely bright. The solution for me was to make two exposures – one for the shaded foreground areas and another for the distant and very bright cliff. The two images were then blended in post-production using masks. (For those who know the term “HDR,” this is not HDR.)

The second problem had to do with color balance and/or color perception. Though you might not “see” it while standing there looking at the scene, there are some very complex issues here with the color of the light. On one hand there are elements that naturally have very warm tones, including parts of the meadow in the sun and that small very yellow oak tree left of center. But other elements are actually very blue – the foreground, shaded vegetation and parts of the meadow because they are illuminated primarily by the very blue open sky above, and the distant hillside because of the haze in the Valley. Our eyes and brain “correct” for this when we are on the scene and we don’t recognize these color issues – to us it just “looks the way it looks” when we are standing there. However, put this lighting in a photograph “as is” and it looks quite wrong! So I had to make some selective color adjustments to move these areas a bit away from the blue tones and in the case of the far cliff to desaturate a bit. Some of this could be done in a general way, but other parts of it had to be done bit by bit using masks.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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