Tag Archives: yellow

Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Urban Residential Buildings, Sidewalk and Street

Urban Residential Buildings, Sidewalk and Street
Urban Residential Buildings, Sidewalk and Street

Urban Residential Buildings, Sidewalk and Street. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Facades of residential buildings along a hilly street in downtown San Francisco.

With all of the landscape and nature photography I’ve posted recently, I figured it was time for something different. This is a street scene in San Francisco I photographed on a quick walk on an early March day in 2010. Many of the other photographs I made in this area included people, but it this one I wanted to isolate the fronts of the buildings, especially the contrast between the relatively fixed-up one on the left and the more weathered one on the right.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Natural Bridge Canyon

Natural Bridge Canyon
Natural Bridge Canyon

Natural Bridge Canyon. Death Valley National Park, California. March 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

A gravel wash in the bottom of the narrow confines of Natural Bridge Canyon, Death Valley National Park.

These narrow canyons, of which there are a number of great examples in Death Valley, can provide some interesting photographic opportunities, but they also can pose some real challenges. Much of the rock in these places is, frankly, rather drab and of low contrast. However, at the right time of day and on a day with the right light and in the right parts of these canyons, the glowing light reflected down into the canyons from overhead rock walls can produce warm and diffused light and bring interesting colors to the place.

I made an unusual decision to use a very long focal length for this photograph – it was shot with a 100-400mm zoom at 330 mm. More typically I would probably tend to use wide angle focal lengths in the confines of such a canyon. However, because I wanted to juxtapose the different colors and shapes of the sections of canyon wall along the narrow and twisting wash, I chose the long lens to compress the distance. Although I think the photograph creates a feeling that I’m positioned very close to the foreground rocks and the darker bit of canyon wall on the left, I was actually quite a distance back from this spot.

G Dan Mitchell Photography
About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)


San Francisco Skyline, Light Beams

San Francisco Skyline, Light Beams
San Francisco Skyline, Light Beams

San Francisco Skyline, Light Beams. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Beams of light from brilliantly lit clouds send beams of light past downtown San Francisco buildings and toward the waterfront.

Anyone who knows San Francisco might be wondering about this light – and I wouldn’t blame them. These were really unusual conditions. Believe it or not, the photograph was made very early in the morning, perhaps a bit less than a half hour after sunrise. Which begs a couple of questions: why is the light coming from the right (west to southwest) at dawn? And, why does the light seem to be coming from such a high angle?

The light beams are not direct sunlight. The sun is actually far to the left of the frame and very low in the sky. Its direct light was blocked by intervening fog clouds. As the clouds moved from left to right, thinner areas in the cloud cover were struck from behind by the very low angle sunlight coming from the left and set aglow. It was the brilliant light from these areas of backlit clouds that cast the light through the mist and between buildings. What you cannot see in the still photograph is that as the clouds moved the beams of light slowly swept from right to left. From moment to moment the light beams would angle from right to left, then straight down, and then left to right.

Another amazing thing was that I appeared to be the only person out making photographs of this…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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