Tag Archives: america

Remains of a Desert Plant, Pebbles

Remains of a Desert Plant, Pebbles
Remains of a Desert Plant, Pebbles

Remains of a Desert Plant, Pebbles. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

The skeletal branches of a dead plant against the pebbles of a desert wash, Death Valley National Park, California.

I came across the skeletal remains of this desert plant while photographing along the east side of Death Valley near the area identified on some maps as the Kit Fox Hills. I had just finished photographing across the floor of the Valley, capturing an area full of sparse desert plants backlit by the very last rays of sun, and the light had diminished after the sun dropped below the tops of the ridges on the west side of the Valley.

I saw this bit of dead plant near the edge of a wash among the rubble of many-colored rocks and pebbles that had, I presume, been washed down from the canyons in the mountains to the east. For a place that seems so colorless from a distance, there is an astonishing variety of color in these rocks. I can see greens, blues, various shades of pink and purple, and some that almost are orange. The branches are just as I found them, and the soft light with just a bit of directionality from the right fills the shadows that would otherwise be very dark.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Twilight Surf

Twilight Surf
Twilight Surf - Long exposure photograph of shoreline surf in twilight, Pacific Grove

Twilight Surf. Pacific Grove, California. December 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Long exposure photograph of shoreline surf in twilight, Pacific Grove.

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

San Francisco Skyline, Light Beams

San Francisco Skyline, Light Beams
San Francisco Skyline, Light Beams

San Francisco Skyline, Light Beams. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Beams of light from brilliantly lit clouds send beams of light past downtown San Francisco buildings and toward the waterfront.

Anyone who knows San Francisco might be wondering about this light – and I wouldn’t blame them. These were really unusual conditions. Believe it or not, the photograph was made very early in the morning, perhaps a bit less than a half hour after sunrise. Which begs a couple of questions: why is the light coming from the right (west to southwest) at dawn? And, why does the light seem to be coming from such a high angle?

The light beams are not direct sunlight. The sun is actually far to the left of the frame and very low in the sky. Its direct light was blocked by intervening fog clouds. As the clouds moved from left to right, thinner areas in the cloud cover were struck from behind by the very low angle sunlight coming from the left and set aglow. It was the brilliant light from these areas of backlit clouds that cast the light through the mist and between buildings. What you cannot see in the still photograph is that as the clouds moved the beams of light slowly swept from right to left. From moment to moment the light beams would angle from right to left, then straight down, and then left to right.

Another amazing thing was that I appeared to be the only person out making photographs of this…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Fog, San Francisco, Dawn

Fog, San Francisco, Dawn
Fog, San Francisco, Dawn

Fog, San Francisco, Dawn. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter fog illuminated by dawn light engulfs the skyline of San Francisco.

The conditions changed radically during the half hour or so during which I stopped on my way to Muir Woods to photograph the San Francisco skyline from above the Golden Gate Bridge. I was initially concerned that the morning would be too clear, since I am usually more interested in scenes with varied atmosphere. When I arrived it was mostly clear, though there was a bit of low fog out over the bay and some low clouds clustered above San Francisco, especially the downtown area where the tops of buildings were in the clouds.

I made a series of photographs of the skyline using my longest lens – others may appear here before long. This was one of the last ones I was able to make as the clouds thickened and eventually blocked my view completely. (What had started as a largely bright and clear early morning eventually evolved into a very foggy scene.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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